Against the Current, No. 139, March/April 2009
-
Crisis and Coronation
— The Editors -
The Economy in a World of Trouble
— interview with Robert Brenner -
Race and Class: Downturn Undermines Black "Middle Class"
— Malik Miah -
Richmond, CA vs. Chevron
— Mike Parker & Margaret Jordan -
Stirring Up Racism
— Mike Parker & Margaret Jordan -
Critical Resistance at 10
— Kristian Williams -
The Battle for Puerto Rico's Labor Movement
— Rafael Bernabe - Health Care Unions at War
- Socialist Feminist Writings
-
Intersectionality Coming Alive
— Stephanie Luce -
Foremothers and Fathers
— Nancy Holmstrom -
Meeting Alexandra Kollontai
— Abra Quinn -
Feminism, The Global Struggle
— Purnima Bose - After the Destruction of Gaza
-
After the Destruction
— The Editors -
The Future of Israel/Palestine
— Jeff Halper -
Selected Bibliography
— Jeff Halper -
Ethnic Cleansing: Palestine Reality
— Joel Finkel - Reviews
-
Toward A New Socialism
— Ursula McTaggart -
The Enemy of Nature
— Ansar Fayyazuddin - In Memoriam
-
Peter Camejo: A Red-Green Life
— Claudette Begin -
Camejo's Early Political Years
— Barry Sheppard -
Peter Camejo at Berkeley
— Jack Bloom -
Kenn Cox and Donald Walden: "Free Jazz Radicals"
— Melba Joyce Boyd -
"A Mingus Among Us" and a Walden Within Us
— Melba Joyce Boyd -
Working It Out "A lot of people have died for this music...," Kenn Cox
— Melba Joyce Boyd - A Comrade and Friend
Melba Joyce Boyd
when Dexter Gordon
glanced back,
he saw Donald Walden
taking Giant Steps
in clear, blue space.
So, he held the gate,
makin’ the jazz greats wait—
Monk, Byrd, Coltrane,
the contentious Miles,
and the sultry Billie—
made them hold
a wake for the saxman
from Detroit
by way of St. Louie,
transcending
like bebop
breaking fixed notes,
traversing linear scales,
and all repressive
constrictions printed
on music sheets,
like the inconvenience
of mortal skin
when music enchants
our spirits and
the politics of
Earth bound
dominions
diminish.
In the “D”
he was called
“the bebop police,”
who styled in
GQ slacks with
creases as smooth
as his tenor flow,
echoes articulating
transformative
renditions
marking
planets
at jazz sets
Yeah,
there is a
Mingus
among us,
but there is
a Donald Walden
within us.
ATC 139, March-April 2009